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1·The final part summarizes the features and impacts of Delftware's Chinoiserie.

论文最后总结了德尔夫特陶器之中国风格的特点与影响。

2·These adaptations of Chinese art, called Chinoiserie, remained popular in Europe throughout the 18th century.

These适应中国艺术的西部适应，称Chinoiserie，被保留普遍在欧洲在18世纪过程中。

3·The visages of European music and its connection with Chinoiserie of the 18th century are summarized in this paper.

本文探讨的主要内容是18世纪欧洲“中国热”背景下，欧洲音乐的面貌以及欧洲音乐与“中国热”的关系。

4·Decorative painting was introduced to the European countries from the Middle and Far East. The French chinoiserie pieces were decorated in imitation of Chinese art.

欧洲国家的装饰绘画来自于中东和远东地区，法国历史上的中国风类装饰物件来自于模仿中国的相关艺术。

5·Through the description of the culture communion history between China and Europe from about 1st century to 18th century, the historical root of Chinoiserie is explained in the paper.

主要通过对约1世纪到18世纪中欧文化交流的历史描述，说明18世纪“中国热”形成的历史根源。

6·Borrowing directly from these early 18th century forms of Chinoiserie, I conduct a similar pattern of stylistic plagiarism, whereby Chinese archetypes are rendered through lesser sophisticated means.

借助十八世纪早期的中国艺术造型，我创作了相似风格和造型复制品，以此使中国的典型造型以较简单的方式表现出来。