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1·What is arpeggio?

什么是琶音？

2·Extend the range of scale and arpeggio practice.

扩展音阶范围，并进行琶音练习。

3·The fluent and graceful arpeggio suggests a free spirit.

整首曲子充满著流畅高雅的琶音，代表著自由的精神。

4·This goes for all arpeggio exercises: Never aim for speed.

这是对琶音练习的建议，不要以速度为目标。

5·Instructions on How to morph an Arpeggio to Fit any Style of Music.

关于如何进行的指示“变身”一琶音，以适应任何风格的音乐。

6·Obviously the same rules apply to arpeggio playing where the motions are slightly magnified.

很明显这一切规则也适合琶音的弹奏，但那些动作是要比弹音阶的动作稍微放大了的。

7·Tremolo is not a technique. It is an effect produced when a certain type of arpeggio is employed.

颤音不是一种技巧，只是某种的琶音的表现形式。

8·The second difficult section in Fur Elise ends with an arpeggio containing three PSs: 123, 135, and 432.

《献给爱丽丝》第二段困难间奏的结尾，是一段由三个平行音组（123，135和432）组成的琶音。

9·When practicing arpeggio patterns at a new level of less tension you will notice how you fatigue more easily than before.

当你练习琶音到一个新的不紧张的级别时，你会发现你将不再象以前那样感觉到疲劳。

10·Tap your finger to create a spark, drag one finger to draw a line of electricity, two to play an arpeggio and more than two for more complex arpeggios.

手指触及屏幕可以制造火光，手指拖拽可以画一条闪电，两指可以弹琶音，多指可以演奏复杂的琶音。

琶音

1·What is arpeggio?

什么是琶音？

2·This goes for all arpeggio exercises: Never aim for speed.

这是对琶音练习的建议，不要以速度为目标。

3·Tremolo is not a technique. It is an effect produced when a certain type of arpeggio is employed.

颤音不是一种技巧，只是某种的琶音的表现形式。

4·Obviously the same rules apply to arpeggio playing where the motions are slightly magnified.

很明显这一切规则也适合琶音的弹奏，但那些动作是要比弹音阶的动作稍微放大了的。

5·The second difficult section in Fur Elise ends with an arpeggio containing three PSs: 123, 135, and 432.

《献给爱丽丝》第二段困难间奏的结尾，是一段由三个平行音组（123，135和432）组成的琶音。