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1·The ideal is full of geist, so it has mystery.

理想充满了感性，有些神秘。

2·Schopenhauer thought that the ultimate reality is not Geist , but will.

叔本华认为终极实在不是精神， 而是意志。

3·MORE than 1, 200 Lutherans gathered last month in Geist, north of Indianapolis.

上个月，超过1200多名路德教众聚集在Geist，印第安纳波利斯北部。

4·MORE than 1,200 Lutherans gathered last month in Geist, north of Indianapolis.

上月，超过1200名路德教友齐聚在印第安纳波利斯北部的盖斯特。

5·Once the first wave hits the coastline, it gets very complicated, Dr. Geist said.

“一旦第一波波浪到达海岸线，情况就会变得非常复杂，”Geist博士说。

6·Art Ellingsen, who was at the meeting at Geist, grew up attending a Lutheran church in Chicago.

参加盖斯特大会的阿特•艾林森自小便在芝加哥的一个路德教堂做礼拜。

7·Art can be regarded as a means leading from geist to sense, and finally surpass the sense itself.

艺术可以作为一种由感性通向理性、超越感性本身的途径。

8·The word itself comes from the German words “poltern”, meaning to make noise, and “geist”, meaning ghost.

单词来源于德文“POLTERN”和“GEIST” 意为制造噪音和鬼。

9·In the end this paper gave a assumption that we can simulate the human's geist by implementing the uncertain reasoning process.

最后提出了通过实现推理过程不确定性来模拟人类感性的设想。

10·Visually describe the painting process is a form which from appearance to interior, from here to there, from geist to nous, and from the whole to the part.

形象地阐叙了绘画过程是一个由表入里，由感性到理性，由整体到局部再回到整体的这么一个创作过程。

感性

1·Paul Ganguin was a French representative of impressionism painting in 19th Century. With geist way, he formed his own art aesthetics through observation and explanation of nature.

保罗·高更是19世纪法国后印象主义绘画代表人物，他用感性的方法去观察自然、解释自然，形成了自己的艺术美学观。

2·This article researches how to rationally use informational technology so as to expediently show geist materials and create the best scene and obtain the best educational effect.

探讨了如何合理利用信息技术便利地展现感性材料，创设最佳情境，从而获得最佳的教学效果。

3·In the end this paper gave a assumption that we can simulate the human's geist by implementing the uncertain reasoning process.

最后提出了通过实现推理过程不确定性来模拟人类感性的设想。

4·The ideal is full of geist, so it has mystery.

理想充满了感性，有些神秘。

5·Visually describe the painting process is a form which from appearance to interior, from here to there, from geist to nous, and from the whole to the part.

形象地阐叙了绘画过程是一个由表入里，由感性到理性，由整体到局部再回到整体的这么一个创作过程。