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1·She sat down at the piano and played a few bars of a Chopin Polonaise.

她坐在钢琴边弹奏了肖邦的波洛奈兹舞曲的几个小节。《柯林斯英汉双解大词典》

2·S. 429, Polonaise from Eugene Onegin (1879).

波兰舞曲从叶甫盖尼奥涅金（1879）。

3·Polonaise In G Minor Anna Magdalena Notebook.

G小调波兰舞曲安娜莲娜笔记本。

4·Russian and Eastern European Piano Music Polonaise in Eb Minor, Op. 118, no. 6.

俄罗斯和东欧钢琴作品精选安东·鲁宾斯坦降e小调波兰舞曲，作品118，第六首。

5·The musicians played the polonaise in vogue at the time on account of the words set to it.

乐师们奏着当时以歌词闻名于世的波兰舞曲。

6·More than half the ladies had partners, and were taking part, or preparing to take part, in the polonaise.

半数以上的女士都有舞伴，一个个走出来，或者准备跳波兰舞。

7·The first part is quite feminine; soft and sensitive; while the second Polonaise is quite masculine. powerful and full of force.

前面部分是非常女性的，柔和而纤细；而第二部分的波兰舞曲则相当男性，雄壮有力。

8·The strains of the polonaise, which had already lasted some time, were beginning to sound like a melancholy reminiscence in the ears of Natasha.

演奏了相当久的波兰舞曲听起来显得忧悒，在娜塔莎的耳鼓中回荡，它所留下的只是回忆而已。

9·Natasha felt that she would be left with her mother and Sonya in that minority of the ladies who were crowded back against the wall, and not invited to dance the polonaise.

娜塔莎感到，她和母亲、索尼娅都被挤到墙边上，仍然呆在那些未被邀请跳波兰舞的一小部分女士中间。

10·This chapter from Mazurken and polonaises and the origins Spectral analysis of the characteristics and specific cases to elaborate Mazurken and polonaise and embodying the spirit of the nation.

这章分别从玛祖卡舞曲和波洛涅兹舞曲的起源、特点和具体分析谱例来阐述玛祖卡舞曲和波洛涅兹舞曲中的民族主义精神体现。