全部

1·My address will follow the classical sonata form of commencement addresses.

我的演讲将遵循毕业典礼演讲的经典结构。

2·The rise of piano standardisation of the orchestra sonata form chamber music symphony balance enlightenment absolute music concerto homophonic.

钢琴地位的提升，管弦乐队的标准编制，奏鸣曲式，室内乐，交响乐，音乐平衡感，音乐教化作用，纯音乐，协奏曲，主调音乐。

3·The rise of piano, standardisation of the orchestra, sonata form, chamber music, symphony, balance, enlightenment, absolute music, concerto, homophonic.

钢琴地位的提升，管弦乐队的标准编制，奏鸣曲式，室内乐，交响乐，音乐平衡感，音乐教化作用，纯音乐，协奏曲，主调音乐。

4·The rise of piano, standardisation of the orchestra, sonata form , chamber music, symphony, balance, enlightenment, absolute music, concerto, homophonic.

钢琴地位的提升，管弦乐队的标准编制，奏鸣曲式，室内乐，交响乐，音乐平衡感，音乐教化作用，纯音乐，协奏曲，主调音乐。

5·Key concepts: rise of piano standardisation of the orchestra sonata form chamber music symphony balance enlightenment absolute music concerto homophonic.

主要音乐概念：钢琴地位的提升，管弦乐队的标准编制，奏鸣曲式，室内乐，交响乐，音乐平衡感，音乐教化作用，纯音乐，协奏曲，主调音乐。

6·One of these had a particular three-part or ternary pattern attributed to J. S. Bach’s son, Carl Philipp Emanuel Bach (1714–1788), which is now called sonata form.

其中的特定的三部或三元格式，是由巴赫的儿子卡尔.菲利普.伊曼纽尔.巴赫(1714-1788)创作出来的，这就是现在所谓的奏鸣曲式。

7·The classical songs by Schumann are unique in the selection of lyrics, tune, rhythm, symphony, sonata form and piano accompaniment, which has formed its style.

舒曼艺术歌曲在选词、旋律、节奏、和声、曲式、钢琴伴奏等方面具有独特的创作风格和特点。

8·The rise of piano , standardisation of the orchestra , sonata form , chamber music , symphony , balance , enlightenment , absolute music , concerto , homophonic.

钢琴地位的提升，管弦乐队的标准编制，奏鸣曲式，室内乐，交响乐，音乐平衡感，音乐教化作用，纯音乐，协奏曲，主调音乐。

9·Key Concepts: rise of piano, standardisation of the orchestra, sonata form, chamber music, symphony, balance, enlightenment, absolute music, concerto, homophonic.

主要音乐概念：钢琴地位的提升，管弦乐队的标准编制，奏鸣曲式，室内乐，交响乐，音乐平衡感，音乐教化作用，纯音乐，协奏曲，主调音乐。

10·There were some abnormal logical contradiction and theoretical mistakes on the naming and classifying the variant sonata form and rondo type in the Forms of Instrumental Music by Weiner Leo.

魏纳的《器乐曲式学》在关于奏鸣曲式变体及回旋曲式类型等命名与分类上，存在反常的逻辑矛盾与理论失误。