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1·The magnolia trees hadn't read Roland Barthes.

玉兰树并没有读过罗兰·巴特。

2·This paper elaborates on Roland Barthes' post-structuralism text theory.

本文主要论述巴特的后结构主义文本观。

3·Let me just read two texts to that effect, first going back to Roland Barthes on page 877.

让我们读两篇和这个意思大致相同的文章，首先翻回877页罗兰，巴特的文章。

4·Degree zero writing is a famous theory by Roland Barthes, French post structuralism leader.

“零度写作”是法国后结构主义大师罗兰·巴特的著名理论。

5·So we consider a text as a structured entity, or perhaps as an entity which is structured and yet at the same time that's the case with Roland Barthes.

所以，我们把原文视为一个结构上的实体，或者是作为一个，有结构上的实体同时，这就是罗兰，巴特的例子。

6·This intertextual view of literature, as shown by Roland Barthes, supports the concept that the meaning of an artistic work does not reside in that work, but in the viewers.

正如Roland Barthes所证明的那样，对文学所持的互文性观点，支持了一个概念，即一部艺术作品的意义并不存在于作品本身，而是在于观赏者。

7·Roland Barthes, a prominent French thinker of the 20th century, became known to the Chinese intelligentsia through the introduction and translation of his writings in the early 1980s.

作为20世纪法国最著名的思想家之一，罗兰。 巴特在上世纪80年代初通过译介始为中国知识界知晓。

8·I want to quote from the beginning of Roland Barthes' essay, which I know I only suggested, but I'm simply going to quote the passage so you don't have to have read it, the Death of the Author.

我想引用罗兰，巴特文章开头的几句话，我只是推荐这篇文章，从中引用几句，所以你们不用事先读，这篇文章就是《作者之死》。