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1·It's this final movement of the simile, according to this ingenious argument by Geoffrey Hartman, that Hartman calls the counter-plot.

根据哈特曼巧妙的论点，这就是这个比喻最后的乐章，他称之为反计。

2·Hartman associates this image of Milton's standing ab extra with the figures in so many of those similes who seem also to be standing ab extra.

哈特曼把弥尔顿从外俯视的形象，和众多的明喻中似乎也置身局外的形象相联系。

3·Hartman describes Milton's tendency in Paradise Lost, and he takes this term from Coleridge: the tendency to stand ab extra, to stand from outside.

哈特曼描述了弥尔顿在《失乐园》中的倾向，他借用了柯勒律治的这个习语：由外而内俯视自身的趋势。

4·Hartman thinks Sikorsky has found a solution.

哈特曼认为，西科斯基公司找到了解决方法。

5·So think of the article on Milton's similes by Geoffrey Hartman.

想一想杰弗里·哈特曼关于弥尔顿的明喻写的文章。

6·Milton's looking in at his own work from a distance, according to Coleridge and then Hartman.

据柯勒律治和哈特曼所言，弥尔顿是遥远地从外俯视自己的作品。

7·Although Project Firefly is still grounded, Hartman expects manned flight tests to begin soon.

尽管萤火虫项目还没有起飞，哈特曼预计很快就会开始载人飞行试验。

8·The fourth chapter analyzes the reasons that the criticism personality of Hartman takes shape.

第四部分探究了杰弗里·哈特曼批评个性形成的原因。

9·Neal Hartman is a Senior Lecturer in Managerial Communication at the MIT Sloan School of Management.

尼尔·哈特曼是麻省理工学院斯隆管理学院管理沟通方面的一个高级讲师。

10·And Hartman made sense of the seemingly chaotic and confused movement of the narrator's imagination here.

哈特曼使叙述者在这里混乱无序的想象，变得能够理解，有所深意。