全部

1·Art as mimesis or representation has deep roots in the philosophy of Aristotle.

艺术模仿或代表已深深扎根于亚里士多德的哲学。

2·Results: The mimesis accuracy of Grey pharmacokinetics model was higher than that of traditional ones.

结果：灰色物动力学模型比传统的药物动力学模型拟合精度高。

3·Additionally, mimesis has been queried either in ancient China or in Western, with roughly the same causes.

“摹仿”论在中国和西方都曾受到类似的质疑，原因大体相似。

4·On the chapter five, it compares the endogenous meaning of the mimesis and the evocation in Chinese poetry.

论文第五章，对摹仿的本源性含义和中国诗学中的“兴”的含义进行了比较。

5·Confessional literature is widely read as revelation of authentic experience of life and as mimesis of external reality.

批评家普遍认为，“自白”文学是一种暴露真实生活经验的文学表达，强调文学对现实生活的写真和模仿。

6·The chapter one describes the usual recognize about mimesis, and the three attitudes to criticize and opposite such mimesis.

论文第一章描述了通常关于摹仿的认识，以及对此类摹仿的批评和反对的三种态度。

7·The chapter three returns to the origin of the mimesis, reveals the original meaning of the mimesis which is forgotten later.

论文第三章，回到摹仿的本源进行考察，揭示出摹仿被后人所遗忘的源初含义。

8·Methods: In the classroom, the feedback and correction methods of comparison of correct and error, complementation, and mimesis were used.

方法：在实验教学中运用正误对比、互补、模仿等反馈与矫正法。

9·I discuss the role of mimesis in his work, and the degree to which we can understand these paintings as fragments of dialogue across generations, or as a soliloquy?

我论述在他的工作中所模拟的这种角色，以及在我们所能理解的程度的范围内，这些油画是被作为跨越几代人的对话的碎片，还是在被作为一种独白？

10·The third chapter, the mimesis and creation of media, is about the rules media play in my work, as well as the feasibility testing and experimental exploration of it.

第三章「材质的模拟与创造」是讨论媒材在我作品里所扮演的角色，以及媒材的创造性试探和实验性的开发。

模仿

1·With its industrial finishes, volumes and white colouring, the project seeks reasonable mimesis with the residential constructions around it and the snowy landscape of the Saint Gallen region.

从建筑表漆，体量和白色的外表，能看出项目力求合理模仿圣加仑大学区域的雪域景观与它周围的住宅建筑。