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1·It will be great pleasure to lost in paradise.

对我来说，有一个可以迷失的天堂吗？

2·It has been argued, and I think this is a brilliant point, that the most important word in Paradise Lost is or, the conjunction.

它备受争议，我个人认为是出色的一个想法，“失乐园”中最重要的词是“或”，即连词。

3·Galileo is the only contemporary personage, the only seventeenth-century figure, even so much as mentioned in Paradise Lost.

伽利略是唯一的当代人物，唯一的17世纪人物，甚至在《失乐园》里也有提及。

4·Hartman describes Milton's tendency in Paradise Lost, and he takes this term from Coleridge: the tendency to stand ab extra, to stand from outside.

哈特曼描述了弥尔顿在《失乐园》中的倾向，他借用了柯勒律治的这个习语：由外而内俯视自身的趋势。

5·We will see Milton returning to all of these questions in Paradise Lost.

我们会看到弥尔顿又在失乐园中回到这些问题上来了。

6·He had not been so down since Milton had vilified him in that despicable piece of fiction, Paradise Lost.

自从被密尔顿在那部无耻的小说《失乐园》里诋毁名誉以来，生活从未如此低落。

7·It has been argued, and I think this is a brilliant point, that the most important word in Paradise Lost is or, the conjunction.

或者广受争议的，我个人认为是出色的一个想法，即中最重要的词就是这个连词，或者。

8·There are some important signs, I think, especially in the first two books of Paradise Lost of what we can think of as Milton's - it's a literary fantasy, a literary fantasy of forgetfulness.

我认为有一些重要的迹象，尤其是在，《失乐园》的前两册书中，从那里我们可以思考弥尔顿之所想，这是一次对于遗忘的文学幻想。

9·Let's look at the first appearance of Mammon in Paradise Lost.

请看在《失乐园》中贪欲之神第一次出现的地方。

10·It also provides Milton with the figure of Mammon who will, as you will see over the course of this semester become - well, here in Paradise Lost he's one of the key fallen angels in Milton's hell.

它也为弥尔顿提供了贪欲之神这一形象，正如在本学期这一门课中你们将始终看到的，贪欲之神，在《失乐园》中会变成，弥尔顿地狱中主要的堕落天使之一。