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1·Added: New video Tone Mapping options replacing the old Dynamic Contrast.

补充：新的视频色调映射选项取代旧的动态对比度。

2·If you have no image effect present then no tone mapping will exist and intensity truncation will occur.

如果你当前没有图像效果那么将不会发生色调映射和发生强度截断。

3·The conversion can also use the filtered lower bit depth video for tone mapping and tone mapping derivation.

该转换还可以使用经滤波的较低比特深度的视频来进行色调映射和色调映射推导。

4·Tone mapping effectively produces the same effect as the automatic exposure control which happens in the human visual system.

色调映射有效地产生出与发生在人类视觉系统上的自动暴光控制同样的效果。

5·Finally the lighting was finished and we just needed to adjust the tone mapping, the exposure and aperture of the camera to complete the image.

最后灯光设置结束后我们仅仅需要调节贴图色调，和摄影机曝光度和光圈大小来完成这张图片。

6·The bright-pass filter USES tone mapping to first determine what areas of the final scene image will be bright, and then it excludes the remaining data.

光亮过滤器使用色调映射首先测定哪个最终场景图像区域将被照亮，然后排除剩余数据。

7·A scalable video codec may convert lower bit depth video to higher bit depth video using decoded lower bit depth video for tone mapping and tone mapping derivation.

可分级的视频编解码器可以使用经解码的较低比特深度的视频来进行色调映射和色调映射推导，从而将较低比特深度的视频转换为较高比特深度的视频。

8·In order to cut down the power consumption of LCD backlight and maintain the image quality, a modulation algorithm that based on hierarchical tone mapping for LED backlight is proposed.

为了节省液晶显示器背光功耗的同时保持图像质量，提出了基于分层色调映射的LED背光调制算法。

9·Tone mapping is performed in two places within the code: once in Render as part of the final shader pass to compose the glare textures onto the scene, and once as part of the bright-pass filter.

色调映射执行两处代码；一处是在渲染中作为最终着色器的一部分传给合成的耀光纹理到场景中，一处是作为光亮过滤器的一部分。

10·The algorithm even in the low-end display devices such mobile phones also can clearly see the effect of high dynamic range image, but the main solution is a static picture of the tone mapping problem.

该算法实现了即使在手机这种低动态范围显示设备上也能看到高动态范围图像的显示效果，它主要解决的是静态图片的色调映射问题。