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1·This one has come straight from the French absurd theatre.

这项创意直接源自于法国荒诞剧。

2·The Theatre of the Absurd, which came into being in the fifties of the last century, totally subverts the ideas of traditional drama.

上世纪五十年代欧美兴起的荒诞派戏剧彻底颠覆了传统戏剧，根本改变现有的戏剧观念。

3·The absurdity of theatre of the absurd results, in part, from the radical ways of symbolization.

荒诞派戏剧产生荒诞感的重要原因是基于象征手段的极端化。

4·This essay explores the continuity and superiority between Postmodernist drama and Theatre of Absurd from three perspectives: the philosophy of drama, theatrical background and the language of drama.

从戏剧哲学观、戏剧舞台设置和戏剧语言观三个方面论述了后现代主义戏剧对荒诞派戏剧的继承性和超越性。

5·Waiting for Godot and Rosencrantz and Guildenstern are Dead are respectively the representatives of Theatre of Absurd and Postmodernist drama.

《等待戈多》和《罗森和吉尔死了》分别是荒诞派戏剧和后现代主义戏剧的代表作。

6·Waiting for Godot has been regarded as a masterpiece of Theatre of the Absurd.

《等待戈多》一直被认为是荒诞派戏剧的代表作品。

7·Waiting for Godot of Samuel Beckett is regarded as the classical works of the Theatre of the Absurd and it greatly embodies the artistic features of the Theatre of the Absurd.

贝克特的《等待戈多》被视为荒诞派戏剧的经典之作，它集中体现了荒诞派戏剧的艺术特色。

8·Endgame is one of the most difficult plays written by Samuel Beckett, the unquestionable leader of the Theatre of the Absurd.

《终局》是荒诞派戏剧大师塞缪尔·贝克特最艰涩的剧作之一。

9·Beckett abandoned the traditional treatment of dramatic ingredients and in doing so gave birth to a new theatre - Theatre of the Absurd.

贝克特颠覆传统戏剧要素，开创了一种戏剧新形式“荒诞派戏剧”。

10·The Theatre of the Absurd, which was born in France in 1950s, toppled over the conception of traditional plays.

本文对荒诞派戏剧产生的背景以及该派戏剧的共同特征作了简单的介绍。