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1·Even so, the Grieg was a brave choice.

即便如此，选择格里格的钢琴曲也是一个勇敢之举。

2·First part of the Lyric Pieces Grieg Piano creative background.

第一部分，格里格钢琴抒情小品的创作背景。

3·This article aims to introduce and discuss the art songs of Grieg .

本文旨在介绍和讨论格里格的艺术歌曲。

4·The little Chinese girl sat down to play an 39)encore of 40)Anitra's Tanz, by Grieg.

那个中国小女孩坐下来，再弹了一曲格里格的《阿尼特拉舞曲》。

5·Subject repeating technique is an important creative feature of Grieg s Lyric Piano Opusculum.

主题重复手法是格里格钢琴抒情小品的一个重要创作特点。

6·The thesis intends to give an analysis on the Lyric Piecesis of Grieg from several aspects of musicology.

本文试图从音乐学研究的几个角度对格里格的钢琴抒情小品进行较为全面的探析。

7·The third part, Grieg Piano lyrics by national feature of playing and teaching in the second creation of the embodiment.

第三部分，格里格钢琴抒情小品中民族性特征在演奏与教学二度创作中的体现。

8·I played through their practice, combined with spectral cases, the Grieg Piano lyrics by some of the specific works of the second creation.

笔者通过自己的演奏实践，结合谱例，对格里格钢琴抒情小品中的部分作品进行具体的二度创作分析。

9·At 23, Ms Ott is just a year younger than Grieg, a 19th-century Norwegian composer, was when he penned his iconic-and only-piano concerto in 1868.

奥特今年23岁，只比1868年的格里格小一岁，这位19世纪的挪威作曲家在当时写下了他的代表作——也是唯一的——钢琴协奏曲。

10·For many years, Rolf Grieg had his own permanent gallery inside the old town (Gamlebyen), but now, the exhibitions are spread all over the world.

多年来，罗尔夫·格里格有自己的永久性画廊内老城区(老城区)，但现在，展览遍布世界各地。