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1·Who's Afraid of Conceptual Art?

谁害怕概念艺术？

2·Distinguishingly, they are conceptual art works with two superposed focuses and overlapped images.

与众不同的是其作品是两个透视焦点重合，双重图像重叠的观念化艺术作品。

3·These photo works by Chen Shaoxiong are inspired by his conceptual art project Seeing is Believing.

陈劭雄的这些图片作品，源自他今年的一个观念艺术项目“信则有”。

4·It is not because an artist is doing conceptual art, that this for long been validated principle is suddenly not valid anymore.

因此，一个古往今来一再被验证的道理恐怕不会由于艺术家做的是观念作品就网开一面。

5·As a whole, this exhibition has a sweet sentimentality that defies presumed notions of what global Conceptual art should look like or address.

整体上说，这个展览营造了一种甜美细腻的情绪，摒弃了全球观念艺术应该显得怎样、如何着手的假设。

6·This broadens the meaning of conceptual art, which represents the tendency of art in many circumstances besides the title of a concrete movement in art.

这使得“观念艺术”的意义不断拓宽，它在很多场合代表的是一种艺术的取向，而不仅仅是一个具体的艺术流派的名称。

7·Most of the artists participating in the exhibition still play an active role in the field of abstract conceptual art and enjoy high reputation both at home and abroad.

此次参加展览的艺术家现在大多依然活跃在抽象观念艺术领域，并且在国内外都享有盛誉。

8·From the Angle of rhetoric language, the most common rhetoric ways of contemporary Chinese conceptual art include repetition, parody, juxtaposition, diversion and so on.

从修辞语言的角度切入，当代中国观念艺术最常见的措辞方式主要有重复、戏拟、并置和挪用等诸种。

9·Some western artists opt to create and finish their works in the form of collaboration in order to broaden the boundaries of conceptual art and break the confines of art.

一部分西方艺术家开始选择以合作的方式来创作和完成作品，以拓宽观念艺术的边界，打破艺术的限制。

10·These faces became an iconic image in contemporary Chinese art, but Geng Jianyi felt limited by painting and moved on to investigate photography, installation and conceptual art.

他所创作的笑脸已成为中国当代艺术的经典，但耿建翌却认为油画限 制了自己的艺术创作，从而转向摄影、装置等观念艺术。